Elisabeth Vigee Le Brun - 1481 Words

Elisabeth Vigee Le Brun; Capturing Life While Living Life Have you ever looked at a piece of art and wondered how it could be based on real life, because it was just so beautiful? Well Elisabeth Vigee Le Brun was able to paint in such new and exciting ways; people were left wondering just this. Elisabeth Vigee Le Brun was a woman of many talents. In her life time she came up with new ways of painting, revolutionized fashion in France, and overcame any prejudice thinking because she was a woman. Before dying at the age of eighty-seven, she had gained the respect of women and men all across the world. Being a female artist in the eighteenth century was not easy, especially when you had to keep a career and your life together during the†¦show more content†¦At this time Paris was fun and careless before the French Revolution of 1789 released its horrors on it. But the outbreak of the revolution changed everything, and with all of the violence around, she fled France with her da ughter to find safety in Italy (Moffat and Mossman). When she returned, Paris was a completely different place. However, the demand for her art had not changed. Vigee Le Brun is considered a painter of the rococo period. Rococo is best described as an eighteenth century art style that places importance on the carefree life rather than grand heroes. Originally the rococo fashion started in Paris, where Vigee Le Brun was born. It changed the way people looked at art and the world in general (Bleiberg). Vigee Le Brun not only used the rococo style in her art, but also to influence fashion, persuading women to wear simple, high waist shifts, which would be an important stepping stone in changing fashion forever. By refusing to put powder in her hair, she made being natural beautiful. If it weren’t for her innovations we might still be wearing Victorian gowns and wigs. She made fashion and styles for young women, such as herself, more daring and interesting (Steadman). Vigee Le Br un brought artistic integrity in being a woman artist. She created interest in her art with her exploration of the relationships between creativity and sexuality in the eighteenth century (Oliver). So as you can see, Vigee Le Brun changed the way people look atShow MoreRelatedThe Marquise De Rouge With Her Sons Alexis And Adrien889 Words   |  4 PagesThe Marquise de Pezay, and the Marquise de Rougà © with Her Sons Alexis and Adrien is oil on canvas painting by artist Élisabeth Louise Vigà ©e Le Brun in 1787. This painting comes from the later part of the 18th century called Neoclassicism. The overall painting measures at exactly 123.4 x 155.9 cm (48 9/16 x 61 3/8 in.), while the frame measures at 177.8 x 203.2 x 19.1 cm (70 x 80 x 7 1/2 in.). The figures are well arranged close to each other, on the left in her blue elegant gown is the Marquise deRead MoreLouise Elisabeth Vigee-Lebrun1740 Words   |  7 PagesIn 1783, Louise Élisabeth Vigà ©e-Lebrun (1745-1842) exhibi ted her work at the French Royal Academy Salon, her capacity for painting portraits was widely appreciated aside from one that shocked the French people, the Marie Antoinette â€Å"en gaulle†. In the Marie Antoinette â€Å"en gaulle†, the young woman’s hair is adorned with an extravagant wide plumed hat and her fingers are delicately constructed around a rose bouquet. Vigà ©e-Lebrun’s portrait depicts Marie Antoinette in a loose muslin dress that the publicRead MoreThe French As The Siecle Des Lumieres, The Century Of Enlightenment2304 Words   |  10 Pagescohorts. Two women artists that have benefitted from this time were Adà ©laà ¯de Labille-Guiard and Elisabeth Vigà ©e Lebrun. While these two are famous in their own right; understanding their life styles, their view-points on the monarchy, and comparing and contrasting their works of art will show how they both viewed the world through their art. While both Adà ©laà ¯de Labille-Guiard and Elisabeth Vigà ©e Lebrun were born around the same time, they both had different upbringings when they were youngRead MoreANALYSIS OF ANGELICA KAUFFMAN ‘TELEMACHUS ON HIS RETURN TO HIS MOTHER’ 1770-1780 OIL ON CANVAS 1325 Words   |  6 PagesFrench Revolution under Louis XIV. Neo-Classical art was a reaction to Rococo’s light hearted, humour and emotion filled pieces. Angelica Kauffman was one of the most prominent female artists in the 18th century along Rosalba Carriera and Elisabeth Vigee Le Brun. Her works of art are primarily Neo-Classical inspired shifting from the rococo style in European art. According to Goethe, he described her as the most â€Å"accomplished woman in Europe† as a female painter3. She challenged the male dominated